MatchTune vs MassiveMusic
MatchTune audits every track across your brand's social history, resolves each to the correct rightsholder on Audioatlas, and gives you a neutral record of your exposure. MassiveMusic's ComplianceCheck scans your brand and influencer channels and scores the risk too, but MassiveMusic is a music agency, and the check leads into its own pre-cleared libraries and remediation services.
Where MatchTune goes further
- A neutral audit, not a lead-in. MatchTune sells no catalogue and no creative services, so the result is an independent picture of your risk.
- Trusted where the stakes are highest. Global leaders across cosmetics, healthcare, sport, fashion, hospitality, media, consumer goods, and software rely on MatchTune, and the world's largest law firms and creative agencies run audits through it on behalf of their own clients.
- The database others cannot match. Audioatlas is the largest and cleanest music-rights database in the world, built and owned by MatchTune and licensed by the music industry itself. A match is only useful if it names the right owner; a poor database buries real risk in thousands of wrong or unattributed results.
- Only what is actually exposed. MatchTune checks each track against the libraries you already license and flags only what falls outside them.
- Detection that holds up. Voice-over, background, modified masters, covers, and short excerpts, from a decade of audio-recognition work.
- Built for the scale of a group. Risk rolls up by brand, country, region, and division, with every dashboard user included.
| Feature | MatchTune | MassiveMusic |
|---|---|---|
| Built for | A neutral, purpose-built brand social audit | A music agency's compliance check into its catalogue and services |
| Independent of any catalogue | Yes. MatchTune sells no music | No. Leads into MassiveMusic's libraries and services |
| Music database | Audioatlas: the largest and cleanest rights database, 155M+ tracks, resolved to the owner | Proprietary datasets; scale not publicly documented |
| Retroactive social audit | Yes, back to each account's creation | Yes, scans brand and influencer channels |
| Detection under voice-over, covers, modified masters | Yes | Not publicly documented |
| Flags only what falls outside your licensing | Yes | Not publicly documented |
| Platforms | Seven: Instagram, TikTok, Facebook, YouTube, X, Pinterest, LinkedIn | Not publicly specified |
| Rightsholder detail in the report | ISRC, label, track, and artist on every post | Risk score; field detail not publicly documented |
| Organisation-scale rollups | By brand, country, region, and division | Not publicly documented |
MassiveMusic facts checked in September 2026 against MassiveMusic's own pages, linked below. Features change, so we re-check regularly.
When MassiveMusic might be the better fit
- You want a music agency to handle the creative alongside the audit, re-scoring flagged content, sonic branding, or supplying pre-cleared music. MassiveMusic bundles those.
- You want your compliance and your music sourcing under one roof, and are comfortable with the vendor that audits you also supplying your music.
Common questions
Yes, especially if you want a neutral audit. MatchTune's only product is the audit, resolved to the correct rightsholder and scoped to the libraries you already license. MassiveMusic is a music agency, and its ComplianceCheck leads into its own catalogue and services.
Neutrality and focus. MatchTune audits and sells nothing else. MassiveMusic is a sonic-branding and music agency whose compliance check is a front door to its libraries and remediation services.
Yes. Audioatlas ties every identification to the correct rightsholder, with the ISRC, label, track, and artist on each post.
Yes, and in modified masters and short excerpts, from a decade of audio-recognition work.
Yes. Risk rolls up by brand, country, region, and division, and every dashboard user is included.